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Free teaching pack
A six-week scheme of work, ten classroom activities and essay questions for Literature, Geography, Economics, Politics and Development Studies, ages 15 to 18.
A free teaching pack for secondary-school teachers of students aged 15 to 18. It can be used in English Literature, Geography, Economics and Business, Citizenship and Politics, Sociology and Development Studies.
A note on spoilers. This pack is written for teachers and discusses the whole novel, including its ending. On the website each lesson and activity stays folded until you have read the chapters it uses; teachers who have finished the book can open everything at once. The opening section and the key terms are safe to share with students before they read.
Page numbers refer to the paperback (ISBN 9798162251088).
Why teach this novel
Songs of Dust and Water is about 60,000 words long, in 28 short chapters and a one-paragraph Coda, so a class can read it in six weeks with most of the reading done at home. The prose is plain, the chapters are built from short scenes and the dialogue is easy to follow aloud. Confident readers of 15 and over will manage it alone, and less confident readers do well when the key scenes are read in class. A glossary, a pronunciation guide and lists of the people in each part are at the back of the book.
The novel has two parts, set ten years and six hundred kilometres apart. In Part One, a foreign-funded solar plant is built in the village of Madina without the village having any hand in it. In Part Two, the same engineer comes to the floodplain village of Nafawol, where the people own what is built and keep their accounts on a wall in the square. Because the parts answer each other, students can compare them scene by scene: two signings, two trials, two water systems.
The book reaches well beyond English. Geography gets a dryland water story, Economics a cooperative and its money, Citizenship a long look at rules and accountability, and Sociology a women’s savings group and the value of unpaid work. It also starts arguments, which is useful in a classroom: students rarely agree about the stone vote, and the novel declines to settle it for them.
Content notes. These mention some events from later in the book.
Show the content notes
There is no graphic violence. There is a fire; a boy breaks his arm; officials take bribes and skim contracts; one old man dies of heart failure and another in old age; there are two childbirth scenes on a hospital ward, one by torchlight. Islam is part of daily life throughout.
A six-week scheme of work
Two lessons a week, twelve in all. Each lesson assumes the chapters listed have been read, mostly as homework. Activity numbers refer to the next section.
Weeks 1 and 2: Part One, “The Glass House of Sahel”
| Lesson | Focus and chapters | Learning aim | Main activity | Homework |
|---|---|---|---|---|
| 1 | Madina and Bakoro. Ch. 1–2 (pp. 3–20) | Explain how the opening sets hands against systems, and village against ministry. | Read the first page and the Bakoro meeting aloud. Start the class “hands and systems” log that runs all term (Activity 6, stage 1). | Read ch. 3. In 150 words, explain what Malik means by “A thing you are not allowed to mend is not yours” (p. 16). |
| 2 | The lights and the dust. Ch. 3–4 (pp. 21–40) | Analyse how the plant’s design and its buying rules stop it learning from local knowledge. | Pairs re-enact Talib’s search of the approved vendor list (p. 27), then annotate clause 4.B (p. 40). Short discussion: why does Adam sign? | Read ch. 5–6. List every warning Adam receives, with page numbers. |
| 3 | The rot and the fire. Ch. 5–6 (pp. 41–54) | Weigh responsibility for a disaster that has many causes. | “Chain of hands”: groups put ten event cards in order (the dust warning, the portal refusing sisal, the trial ended, the envelope, the amendment, the blocked requisition, the fake gaskets, the motor swap, “noise”, the bypass) and give each a share of the blame, with a quotation. | Read ch. 7–8. Note what Dunia says about the eleven plaques (p. 61). |
| 4 | Ash, the hearing and the warp thread. Ch. 7–9 and “Ten years later” (pp. 55–84) | Evaluate competing explanations of the fire, and see how Part One closes. | Hot-seating Minister Dunia (Activity 9, round 1). Then read Aisha’s verdict on p. 74 aloud and compare. | Read ch. 10–11. Write Madina’s version of the fire in 200 words, as a villager would tell it. |
Weeks 3 and 4: Part Two opens
| Lesson | Focus and chapters | Learning aim | Main activity | Homework |
|---|---|---|---|---|
| 5 | “Words are wind”. Ch. 10–11 (pp. 85–101) | Compare how the Nafawol agreement is made with how the Madina Agreement was made. | Two signatures (Activity 5). | Read ch. 12–13. Find one moment where a villager corrects an expert. |
| 6 | The test field and the road. Ch. 12–13 (pp. 102–114) | Understand how a public challenge settles an argument with evidence. | The ñan-kale debate (Activity 2). | Read ch. 14–15. Begin a sketch map of the floodplain villages and the road. |
| 7 | Envy and the Guardians. Ch. 14–15 (pp. 115–124) | Explore how rules are made, and what happens when they are broken. | Write the charter, stage 1 (Activity 3). Groups draft rules for a shared fund before reading ch. 16. | Read ch. 16–17. Mark every rule in Nafawol’s charter that your group did not think of. |
| 8 | Three names and the review. Ch. 16–17 (pp. 125–139) | Explain how land restoration works, and how the Coffer Fund is protected. | Map the six hundred kilometres (Activity 8). Last 15 minutes: compare group charters with Nafawol’s. | Read ch. 18–20. Prepare three questions for Minister Sulayman. |
Weeks 5 and 6: Part Two to the end
| Lesson | Focus and chapters | Learning aim | Main activity | Homework |
|---|---|---|---|---|
| 9 | The mill, the academy and the seal. Ch. 18–20 (pp. 140–165) | Assess how the women’s economy works alongside the Fund, and how the Union survives the state. | Starter: hot-seat Sulayman (Activity 9, round 2, 15 minutes). Main: Isatou’s list (Activity 4). | Read ch. 21. Copy one column of Fatou’s ledger figures from the activity sheet and check the total. |
| 10 | Lamin, six and four. Ch. 21–22 (pp. 166–184) | Test a set of rules against a real fraud. | Ledger on the wall (Activity 7), then Write the charter, stage 2: test the group charters against Lamin’s method. | Read ch. 23–24 only. Do not read ch. 25 yet. |
| 11 | The offer. Ch. 23–24 (pp. 185–197) | Weigh an offer that brings real gains and real losses, and decide. | The stone vote (Activity 1), with Evelyn Reed hot-seated in the debate stage (Activity 9, round 3). | Read ch. 25–26. Fill in the costs and gains table from Activity 1. |
| 12 | After the stones. Ch. 25–28 and Coda (pp. 198–233) | Judge what the novel shows about the vote’s costs, and how it ends. | Compare the class result with the book’s. Close the hands and systems log (Activity 6, stage 2). Launch the writing task (Activity 10). | Activity 10, or one essay question from the exam section. |
Classroom activities
Each activity names its chapters and a time. Times assume a lesson of about an hour; most can be shortened.
Activity 1. The stone vote
Purpose. To make students weigh TransGlobal’s offer as the delegates did, before they know the result, and then to read the costs the novel sets out afterwards.
Chapters. Read ch. 23–24 before the lesson. Read ch. 25–26 afterwards.
Time. 60 minutes, plus 20 minutes of the next lesson.
Materials. One opaque pot or box. A covered basket or bag. For each voter, one white and one black counter (pebbles, buttons or card discs). Role cards. A copy of the offer’s main terms on the board.
Roles. - 24 delegates, two from each of twelve villages: “the one who usually spoke for the village, and the one its young people had chosen” (p. 197). In a smaller class, cut to six villages and twelve delegates and keep the two-per-village rule. - Kadiatou and Fatou, the founders, who speak but do not vote. - Alkalo Musa, who counts the stones. - Evelyn Reed, who presents the offer and answers questions. - Adam, who may answer only questions of fact.
Give each delegate a card with a stake drawn from the book. Examples: Demba’s father, for whom the money “is rest. It is medicine” (p. 190); the man in Sirawol whose daughter has cleaned hotel rooms in Spain for nine years; old Jankero, who wants to know how far away the hospital would be; Aminatu of Talawol, who needs trained fitters; Alkalo Yaya, who wants the money in channels and a seed store; a young wife who has already spent her fifty thousand on a roof and a sewing machine; Hassan, whose own name and a dollar salary are in the staff schedules.
Steps. 1. Put the terms on the board: up to two billion dollars across the region; fifty thousand dollars for each registered household; mills, a university, a hospital and pensions; TransGlobal’s first right to buy every bale and every litre; a veto over large investments; the revised licence on the Union’s inventions. Remind the class that the harvester runs at seventy per cent and that Proxima’s money ends in three years (pp. 186–187). 2. Reed presents for three minutes. Delegates question her and Adam for ten. 3. Kadiatou and Fatou each have two minutes. They must use the book’s own arguments: Kadiatou’s condition, “With whose hand on the key” (p. 187), and Fatou’s promise of “a granary we never have to open” (p. 189). 4. Explain the rules exactly as the book gives them: “White meant yes. Black meant no” (p. 198), and “A tie would mean no” (p. 198). Each delegate drops one stone in the pot and the other in the basket, in silence. 5. Musa counts the stones aloud, one by one, laying them in two rows. 6. Before anyone reads on, each student writes two sentences: what they voted, and what they think their vote will cost.
After reading ch. 25–26. Students fill in a two-column table, costs and gains, with page numbers. Costs the book shows include the price fall with no reserve to meet it, the Teranu family leaving for the coast, Mariam losing a year of study, rationed taps as the borehole drops, and Jankero’s sons and the hospital. Gains include the Union keeping its own decisions and its own ideas: Bintu’s K-Purifier is “finished, and still ours” (p. 212), and its design goes out free to any village. Ask whether the water returning to the old channel belongs in the gains column at all, since the stone lines were laid long before the vote. The verdict is never settled: Kadiatou tells Mariam “It cost you a year” (p. 204), and will not say whether it was wrong.
Discussion prompts. - Fatou says, “Tonight I am going to sit here and count what it cost” (p. 200). What is she counting? - The book tells us Hassan’s thoughts at the pot but not his stone. What does p. 199 let us infer, and why might the novel leave it unsaid? - Compare the stone vote with the Proxima board’s vote on owning “the model” (ch. 22). Who votes in each, and who is affected? - Did your class vote the same way as the Union? What swayed you?
Activity 2. The ñan-kale: a debate settled by evidence
Purpose. To practise arguing with evidence, and to see the difference between a test that is honoured and a test that is buried.
Chapters. Ch. 12 (pp. 102–109), with ch. 3 (pp. 25–31) for comparison.
Time. 60 minutes.
Materials. Copies of pp. 104–107 and pp. 26 and 31. A simple motion for debate.
Steps. 1. Explain the term. Nabari has “a word for such a thing: ñan-kale, a public challenge meant to be settled by results” (p. 104). Dr Arramata’s challenge is plain: “Give us one hectare of your worst ground” (p. 104), and “We let the harvest speak” (p. 104). 2. Read the comparison scene: Ousman holds the dead dust in one hand and the dark earth in the other (p. 107). 3. Now read Adam’s trial in ch. 3. He proposes it himself (“Let the numbers settle it.”, p. 26), Aisha’s pre-filter works, and he reports the result as “inconclusive” (p. 31) and has the box thrown in the scrap store. 4. Set a motion for debate. Example: This school should replace paper homework diaries with an app. Before any argument, each side must write down what evidence would prove it wrong, and who will judge it. 5. Hold the debate. The judges rule only on the evidence the sides agreed in advance.
Discussion prompts. - Why does Arramata’s test change Ousman’s mind when Aisha’s test does not change Adam’s? - Ousman tells Arramata, “The water is yours. The soil is ours. Do not confuse them” (p. 107). What has he won, even though he lost? - What made the two-week dry spell in the middle of the trial important for the story?
Activity 3. Write the charter
Purpose. To design rules for shared money, then test them against the frauds and pressures the novel throws at Nafawol.
Chapters. Stage 1 after ch. 15, before ch. 16. Stage 2 after ch. 21.
Time. Stage 1, 40 minutes. Stage 2, 25 minutes.
Materials. Sugar paper. A one-page task sheet: Your village has a common fund from its cotton. Write no more than eight rules for spending it.
Stage 1 steps. 1. Groups of four draft their rules. They must cover who can take money out, how much, who checks, and what happens if the village cannot repay a loan. 2. Each group posts its rules on the wall. 3. Students read ch. 16–17 for homework and list what Nafawol’s charter has that theirs lacks: three names from three different households for any sum above the price of a young bull; the alkalo counted “Like any other” (p. 129); the ledger posted every Friday; Proxima’s own papers on the wall too.
Stage 2 steps (after ch. 20–21). 1. Read Mamadou’s reason for the three-names rule: “somebody I love will come to me with a good reason and a sad face. I want the rule to say no to him, so that I do not have to” (p. 129). 2. Test each group’s rules against three cases from the book. (a) The inspector’s two errors, a payment entered twice and a payment with two signatures instead of three (ch. 17). (b) Sirawol’s loan, where the village “did not fail. It was stopped” (p. 163). (c) Lamin’s nine payments, each just under the three-signature line and each taken to a different signatory (ch. 21). 3. Would your rules have caught Lamin? Then read the clause Mamadou adds: “that payments to the same name were to be added together across the year, and that no clerk was to keep the same book two years running” (p. 169).
Discussion prompts. - Why does Mamadou ask for his own name to be written under Lamin’s? - Is a rule that catches your own grandson a good rule or a cruel one? - The suspension clause pauses a loan when the state halts the work. Should it also cover a fall in world prices? (Compare ch. 26.)
Activity 4. Isatou’s list: costing invisible work
Purpose. To make visible the unpaid work that keeps public projects running, and to see how the novel prices it.
Chapters. Ch. 13 (p. 113), ch. 16 and 18 (the osusu), ch. 22 (the cooking fires), ch. 24 (pp. 190–191).
Time. 60 minutes. In the six-week scheme, run steps 1 to 3 in Lesson 9, when the class has read as far as ch. 20, and save steps 4 and 5 to open the debate in Lesson 11.
Materials. Copies of p. 113, pp. 131–132 and 145 (the osusu) and pp. 181–182. Calculators. A local hourly wage figure.
Steps. 1. Read Isatou’s list aloud: measures of millet, oil, hours at the fires, “So many trips to the taps and back with water for the crews. So many women” (p. 113). Her demand is simple: “Write it in your ledger” (p. 113). 2. In groups, students list the unpaid work behind one real event they know: a school play, a family wedding, a sports day. They estimate hours and put a price on them at the local wage. 3. Compare totals. Then read Fatou’s answer: “The common fund pays for the stone,” she says. “It can pay for the millet” (p. 113). 4. Read the cooking-fires scene in ch. 22. The women do not cook, and the council goes hungry. The council settles on a fee paid into the osusu, and Isatou keeps funerals and naming ceremonies outside it: “Those are ours” (p. 182). 5. Finish with Isatou’s question about the fifty thousand dollars: “Into whose hand?” (p. 190).
Discussion prompts. - Why might Isatou want a fee paid to the osusu rather than a wage to each woman? - Why does she refuse to move the osusu into the Fund (ch. 18), even when Kadiatou agrees that Fatou is right about the risk of fire? - Who signs for a household in your own community? Does it matter?
Activity 5. Two signatures
Purpose. To compare how an agreement is made in each part of the novel, and to ask who truly agrees.
Chapters. Ch. 2 (pp. 16–19) and ch. 11 (pp. 100–101). Optional: ch. 4 (p. 40) and ch. 16 (p. 129).
Time. 50 minutes.
Materials. A comparison grid with these rows: who brings the paper; what language it is in; who reads it aloud; who is present; whose voice is set aside; who signs; who keeps the key or the pen.
Steps. 1. Read the ch. 2 signing aloud in parts. Note that “Adam had no Nabari” (p. 17), and that Samba speaks in English so his words do not pass through Mustapha. Samba’s challenge: “A signature tells you who held the pen” (p. 18). “It does not tell you who agreed” (p. 18). 2. Read the ch. 11 signing. Fatou takes the pages from Dr Arramata and reads them aloud in Nabari, because “Every one of them skipped a line” (p. 100). Mamadou asks for clauses again. Then “Alkalo Sankung signed for Nafawol, alone, as alkalos did” (p. 101). 3. Pairs fill in the grid for both scenes. 4. Add a third signature: Adam signing clause 4.B in ch. 4, where “he did not read it to the end” (p. 40). Then show how ch. 16 changes even the alkalo’s power to sign alone.
Discussion prompts. - What has changed between the two signings, and what has stayed the same? - In ch. 11 the alkalo still signs alone. Is the Nafawol agreement fully the village’s? - Mustapha is paid; Fatou is not. Does the money explain the difference between them?
Activity 6. Talib’s notebook: hands and craft
Purpose. A close-reading thread across the whole novel, following how the book values hands, tools and skill against screens and systems.
Chapters. Ch. 1, 3, 9, 26 (the causeway), 27 and 28.
Time. Stage 1, 30 minutes in Lesson 1. Stage 2, 40 minutes in Lesson 12. Students add to a class log in between.
Materials. A large two-column log on the classroom wall: “hands” and “systems”.
Steps. 1. Stage 1. Read the opening. Ibrahim tells his son, “Your hands are not here, Talib” (p. 3), and “A weaver’s craft is in his hands” (p. 3). Students note Talib’s notebook, his radio schematic and his ironwood birds. 2. Through the term, students add moments to the log with page numbers. Strong candidates: Malik’s mended bracket (ch. 2); Adam’s lesson, “You don’t fix things by feel or by hand” (p. 30); Talib re-tying the warp thread, “Then you must re-tie it. That is the work” (p. 76); Bakary’s wet jute (ch. 11); Hawa holding the torch steady (ch. 4). 3. Stage 2. Read the causeway scene in ch. 26, where a young woman from a road crew, in a mechanic’s coat too big for her, fixes Adam’s vehicle and tells him to hold the lamp. “He held the lamp” (p. 215). Compare it with Hawa and the torch in ch. 4. 4. Read ch. 27 (Talib fitting leathers Malik cut, finishing his father’s cloth) and the visitor at the fountain in ch. 28, who listens to the pump before he drinks. Asked later whether the man gave his name, Hassan answers, “Only that it meant student” (p. 231).
Discussion prompts. - Why does the novel never name the two visitors from Madina in ch. 28? - Is the book against technology? Use Bintu’s purifier and the harvester in your answer. - What does Talib keep from Adam’s teaching, and what does he drop?
Activity 7. Ledger on the wall: maths and transparency
Purpose. To use simple data skills to find a pattern of fraud, and then to debate what openness costs as well as what it protects.
Chapters. Ch. 21 (pp. 168–169), with ch. 17 and ch. 23 (p. 186).
Time. 50 minutes. In the six-week scheme, step 5 needs ch. 23, so hold it over to the start of Lesson 11.
Materials. A teacher-made ledger sheet of about forty payments over a year, with nine payments to one name, each just under a set threshold. (This sheet is an exercise, not a page from the book.) Chalk or mini whiteboards.
Steps. 1. Explain how Bintu teaches sums: every Friday her class copies a column from the wall and adds it in chalk on the foundation stones. 2. Give out the ledger. Students total each column and look for anything odd. Allow ten minutes. 3. Read Mariam’s discovery: “Nine payments in seven months, none of them large” (p. 168). “All nine stopped a little under it” (p. 168). Her question: “Why does the carter always stop just under the line?” (p. 168). 4. Discuss how the rule failed and how it was mended (see Activity 3, stage 2). 5. Turn the argument round. Read ch. 23: the Union had made itself impossible to rob quietly, and “They had also made themselves very easy to study” (p. 186). A company had already bought copies of every paper the Union had lodged (ch. 22).
Discussion prompts. - Who benefits from a public ledger? Who else can read it? - Lamin says, “Nobody went without because of any of them” (p. 169). Is that a defence? - Would you post your school’s spending on a wall? What would you leave off, and why?
Activity 8. Map the six hundred kilometres
Purpose. To place the novel in the real geography of the Sahel and to understand the water and soil techniques it uses. Awdagha, Tekuru and their towns are fictional; the Sahel and its farming methods are real.
Chapters. “Ten years later” (p. 81), ch. 10, 12, 16 and 26.
Time. 60 minutes.
Materials. A blank map of West Africa with the Sahel band and rainfall lines. Atlases or a web map. Plain paper for a sketch map.
Steps. 1. Students draw a sketch map from the text: Madina in the dry north of Awdagha, Bakoro to the south, then “Six hundred kilometres south, across a border” (p. 81) to Nafawol on an abandoned floodplain, with Sirawol, Talawol and Kumbawol, the Road of Hands to the tarmac, and Port Walada on the coast. 2. On the real map, students mark where a 600-kilometre route from north to south across the Sahel might run, and how rainfall changes along it. 3. Read the restoration passage in ch. 16. The crews build low stone lines across the dead channels, “so that when the rains came the water would slow and sit and sink instead of running off across the crust” (p. 126), and dig “half-moon pits four paces across” (p. 126). Both techniques are used by farmers across the Sahel today. Students research one real example and draw a labelled cross-section. 4. Water budget. Arramata expects “Twenty thousand litres on a good night” (p. 103) for about 1,800 people. The harvester settles at “a little under seventy per cent of its design yield” (p. 125). Students work out litres per person per day at full and at seventy per cent, remembering that the borehole makes up the rest, and compare the figures with what a person needs to drink and cook (the World Health Organization publishes guidance students can look up). 5. Explain why Arramata rejects desalination: “We have no sea” (p. 89).
Discussion prompts. - Why does the harvester work best at night and least in the dry season? - Why does Mamadou have to take kola to the herders’ camp three times before the stone lines go in? - In Year 10 water returns to the old channel. “Nobody under thirty had ever seen water in that channel” (p. 210). How does a channel that holds water for twelve days help a well?
Activity 9. Hot-seating the operators: Dunia, Sulayman, Evelyn Reed
Purpose. To take the officials and the investor seriously. Each has a real argument, and students should meet it at full strength before they judge it.
Chapters. Dunia: ch. 4 and 8. Sulayman: ch. 17 and 20. Reed: ch. 23–24.
Time. 20–30 minutes per round. Run the rounds in Lessons 4, 9 and 11.
Materials. A chair at the front. A briefing card for the student in role.
Steps. 1. Choose a confident student, or take the role yourself first. Give them a briefing card built from the text. - Dunia. Half the capital went dark and two babies were born by torchlight. She has counted aid plaques that stopped working: “Your Mr Sterling is an island. So is every fund like his. I am trying to build a country” (p. 61). On her own power: “A minister, at least, can be removed” (p. 61). Her brother’s bank holds the accounts of the “approved” firms. - Sulayman. Nine years a minister. He has watched community funds fail: “Two were emptied by the men who ran them” (p. 136). “You will forgive me if a ledger on a wall does not settle the matter for me” (p. 136). - Evelyn Reed. She removes the clause on inventions within two days: “I would rather lose this agreement than win it with an appendix” (p. 197). Her hardest point is for the villages still waiting: “They’ll wait ten years for your method to reach them. Some of their children won’t be there when it does” (p. 194). 2. The class prepares questions in pairs: one fair question and one hard question each. 3. The student in role answers for ten to fifteen minutes and must stay true to the text. 4. Out of role, the class votes on two separate questions: was the character’s argument strong, and was the character’s conduct right?
Discussion prompts. - Aisha says Dunia “didn’t need it to burn. She needed the money, and the money was what held it up, and she took it anyway” (p. 74). Is that worse, or better, than sabotage? - Fatou says the boiler seal is Sulayman’s doing. Does the novel prove it? - What does Adam’s reply to Reed, “Madina didn’t get to vote” (p. 194), leave unanswered?
Activity 10. Write the missing scene, or a letter from Hawa
Purpose. Transformative writing that fills a gap the novel leaves open, in a voice that fits the book.
Chapters. Hawa’s letters in ch. 1, 3 and 9; Hawa’s ward in ch. 4 and 27. Gaps in ch. 16, 27 and 28.
Time. 30 minutes to plan in class; writing at home.
Steps. 1. Read Hawa’s letters closely. They are short, practical and unsentimental: “The city eats money” (p. 5). And later: “I do not ask you. I know how things are. I only tell you so you know” (p. 75). 2. Students choose one task. - A letter from Hawa to Talib, set in a year the novel skips, about her work on the ward. - The letter Talib sent Hawa after the fire. We only see her reply, which begins “Your letter came” (ch. 9). - Adam’s letter to Proxima’s board asking for its papers to go on the wall in Nafawol (ch. 16). The novel says he showed it to no one. - What Talib asks the Madina committee in ch. 27. The book shows him ask but not his words. - Hassan’s letter to Adam at the end of ch. 28. 3. Rules for the writing: keep to what the novel has established; use the characters’ own way of speaking; no new events that would change the plot; under 500 words.
Discussion prompts. - Why might the novel leave these documents out? - What did you have to know about a character’s voice before you could write in it?
Essay and exam-style questions
(a) Literature, ages 15–16
- How does the writer present Kadiatou as a leader? Refer to Chapter 10 and to at least one other part of the novel.
- Explore how the sounds of the plant (the hum, the whine, the scream) are used in Part One.
- “A thing you are not allowed to mend is not yours.” How far does Part One prove Malik right?
- How does the writer present Fatou’s attitude to money and risk?
- Explain how the relationship between Talib and Adam changes across Part One.
- Write about the importance of Isatou in the novel.
- Starting with Chapter 25, explore how the novel presents the cost of a hard decision.
- How is the old well used as a symbol from the first chapter of Part Two to the last?
(b) Literature, ages 16–18 (A level and IB style)
- The real hero of Part Two is a set of rules. To what extent do you agree?
- Discuss the effects of the novel’s refusal to show Adam’s thoughts about the present in Part Two.
- Examine the presentation of written records in the novel: ledgers, letters, notebooks and exercise books.
- There are no villains in this novel. Assess this view with reference to Dunia, Sulayman and Evelyn Reed.
- How far does the two-part structure argue for one way of doing development over another?
- How does the one-paragraph Coda change your reading of what comes before it?
- Comparative: compare the arrival of an outsider with money or expertise in Songs of Dust and Water and in Bessie Head’s When Rain Clouds Gather.
- Comparative: Communities in fiction are tested most by their own members. Discuss with reference to Songs of Dust and Water and either Imbolo Mbue’s How Beautiful We Were or Ursula K. Le Guin’s The Dispossessed.
(c) Geography and Development Studies
- Describe how stone lines and half-moon pits restore dry, crusted ground, and explain why the results take years.
- Assess the atmospheric water harvester as a water supply for a village like Nafawol.
- Explain Dr Arramata’s reasons for rejecting desalination, and evaluate them.
- Compare the Madina plant and the Nafawol water system as development projects. Consider ownership, maintenance and local knowledge.
- Infrastructure is a social system before it is a technical one. Discuss, using the Road of Hands and the siting of Sirawol’s harvester.
- Examine the part played by migration (to Bakoro, to the coast, to Spain) in the lives of the novel’s villages.
- To what extent is Nafawol’s development sustainable by the end of the novel? Use evidence about the borehole, the harvester and the old channel.
(d) Economics and Politics
- Explain how the approved vendor system in Part One moved money out of the plant’s budget.
- Evaluate TransGlobal’s offer from three points of view: a household, the Union and the Republic of Tekuru.
- Analyse the reasoning behind Fatou’s “six and four”. Is it a formula or a bargain?
- Assess the case for and against the state’s actions in the novel: the Sovereign Resource Law, the ministerial review and the boiler seal.
- A public ledger both protects and exposes. Discuss.
- Explain how a rotating savings group works, and why Isatou keeps the osusu outside the Fund.
- Why does the Union never close the pay gap between fitters and farmers? Suggest and justify one policy that might.
- Compare the decision rules of Proxima’s board (Chapter 22) with those of the Union’s stone vote (Chapter 25).
(e) Creative and transformative writing
- Write a letter from Hawa to Talib, set in a year the novel does not show.
- Write the letter Adam sent Proxima’s board in Chapter 16.
- Write the regulator’s report on the Coffer Fund at the end of her three days (Chapter 17).
- Write the radio report of the stone vote heard in Malik’s yard, then rewrite the same news as a notice for the wall in Nafawol’s square.
- Write the scene in which Talib puts his request to the Madina committee (Chapter 27).
- Write Isatou’s list as a full costed document for the Union Council.
- Write Evelyn Reed’s report to TransGlobal’s board after the vote.
- Write Mustapha’s thoughts on the night he takes the envelope (Chapter 4), keeping to what the novel tells us about him.
Key terms
Terms made up for the novel are marked (fictional). The rest are real words or real techniques.
- Alkalo. The head of a village, who settles everyday matters and speaks for the village to the district.
- Seyfo. A district chief, above the village heads, who hears disputes over land, marriage and inheritance.
- Kafo. An association, often of people of the same age and sex, that turns out together for shared work.
- Osusu. A rotating savings group: each member pays in a fixed sum, and each takes the whole pot in turn.
- Griot. A keeper of history, family lines and memory, who carries messages and kola between families.
- Bantaba. The village meeting place, often a raised platform under a big shade tree.
- Lumo. A weekly market that draws traders from the surrounding villages.
- Harmattan. The dry, dusty wind that blows south from the Sahara in the dry season.
- Sahel. The dry belt of land south of the Sahara, stretching from the Atlantic to the Red Sea.
- Tubab. A word for a foreigner from Europe or America; in Nafawol, the name for Adam.
- Yaara-Jaxo (fictional). The Water-Keeper, the person responsible for a village’s well.
- ñan-kale (fictional). A public challenge settled by results rather than argument.
- Nabari (fictional). The regional language of government and trade in the novel.
- Coffer Fund (fictional). Nafawol’s shared fund, owned by the village, with its accounts open to all.
- Stone vote (fictional). A vote with one white and one black stone per voter, counted in public.
- Cooperative. A business owned and run by its members, who share its profits and its decisions.
- Build-and-transfer. An arrangement in which an outside body builds and runs a project for a set time, then hands it over.
- Procurement. The way an organisation buys goods and services, usually through set rules and approved suppliers.
- Power of attorney. The legal right to sign on someone else’s behalf.
- Carbon credit. A certificate for a set amount of carbon dioxide taken out of the air or kept out of it, which polluters can buy.
- Aquifer. A layer of rock, sand or gravel underground that holds water a well or borehole can reach.
- Salinity. How much salt is in water or soil. Too much harms people, crops and machines.
- Evaporative cooling. Cooling that happens when water dries off a surface and carries heat away, as with Bakary’s wet jute.
- Perpetuity. For ever, with no end date.
- Arbitration. Settling a dispute through a private judge chosen under a contract, instead of a public court.
Assessment and marking tips
What a strong response does
- Uses both parts. The novel is built for comparison. The best answers set a Part One scene against its Part Two partner: the two signings, the two trials, the two water systems, Hawa’s torch and Adam’s lamp.
- Treats officials fairly. Dunia, Sulayman and Evelyn Reed each have an argument the book takes seriously. A strong answer states it at full strength before judging it.
- Reads costs as well as gains. The vote has a price, and the novel shows who pays it: the Teranu family, Mariam’s lost year, Jankero’s sons. Kadiatou never says the vote was right.
- Quotes precisely and briefly. Short quotations with page numbers, worked into the student’s own sentences.
- Notices what is withheld. Adam’s thoughts about the present are never shown in Part Two. Hassan’s stone is hinted at, not stated. The Madina visitors in the final chapter are never named. Students who ask why gain marks.
- Follows the numbers. The harvester at seventy per cent, the borehole tape every Friday, nine payments under the line, fourteen to ten. Figures in this book carry meaning.
Common pitfalls
- Reading Adam as the hero. He is a link between the parts, and Part Two works hard to keep him out of the centre. The decisions belong to Kadiatou, Fatou, Isatou, Mamadou, Hassan and the delegates.
- Treating Nafawol as a utopia. The Fund is defrauded from inside, a boy breaks his arm running from the village’s own Guardians, a family leaves after the vote, the harvester never reaches its design yield and the fitter–farmer gap is still open in the last chapter.
- Ignoring the women’s economy. Isatou’s list, the osusu, the cooking fires and the question “Into whose hand?” are central to the novel’s argument about who owns what.
- Assuming Dunia burned the plant. Adam believes she did. Aisha, who knows more, says otherwise (p. 74).
- Treating Senebia, Nabari, Awdagha and Tekuru as real. The peoples, faiths, foods and farming methods are real; the countries, towns and the regional language are fictional.
- Retelling the plot. Marks come from explaining how and why the writer shapes events. A summary of the plot earns little on its own.
